Teaching art with itty bitty students, exploring creativity, finding new passions and purpose, and enjoying the progress of my three greatest works of art out there in the big world.
11/13/06
Waiting for Stonehenge to dry
Way back in the olden days of the 1960's when we walked to school through the snow, children did not have free AOL internet cds to use for tracing circles. It was a cold, dark, and primitive time. We had to use our Etch-a-Sketch and Spirograph to pretend we had the thumb-clicking computer games that hadn't been invented yet. We actually wore clothes made from gingham and rickrack. [Be sure to remember us when you plan your holiday/tax deduction-inspired charity giving! Many of us are still in therapy.]
I belong to the Romper Room Do-Bee generation.
Miss Linda on Romper Room could see all of us through her Magic Mirror, and name us by name. Her circular mirror was an amazingly powerful device.
In those dark ages, parents did not let their children run with scissors. You had to be at least thirteen to carry a sharp, pointy compass in the zippered pencil bag inside your three-ring Slicker binder. We learned early, though, to draw an accurate circle with two pencils connected by a length of string or wire. Primitive people are resourceful, and that is why they are able to create the felt circles to make poodle skirts!
Maybe that is why I've always been fascinated with the circles of Stonehenge. How did people nearly five thousand years ago lay out the circles for pits, berms, and stones? Never mind the astronomy aspects of the project! How did that mom on Salisbury Plain tell her kids to stop bickering about it?
You, Nyorg, will stand here and hold this stick to the ground. This is the most important job. You must do it very quietly for the magic to work. You must stand still and be strong until your dad gets back from hauling those fifty ton stones twenty miles. [At least that's what he claimed he was going to be doing.]
Now, Snyurg, you have the most important job. You must take this length of rope woven by the Grandmothers, and attach one end to Nyorg's stick. Then you must attach the other end to Klorgle's stick. This magic will only work if you hum quietly to yourself all the while and keep your finger out of your nose and your loincloth.
Klorgle, my brave girl. You are the dancer who has the most important job. While Nyorg stands still holding his stick to the ground, you must stretch Snyurg's rope taut and dance with your stick all the way around the flat meadow. Your dancing will make the sun rise and set [and keep you out of the hut while I make moss stew for supper and feed baby Gleurg. ]
Why yes, Nyorg, that's a very good question. A henge is an earthwork system of bank and ditch. Please keep standing there holding your stick very still. [Makes me think of Charlie Brown on the pitcher's mound.]
My students are waiting for their clay Stonehenge projects to dry so they can be fired in the kiln. After that, they will paint the projects with watercolors and have them done by the solstice. If we stand just so and really squint, we might discover the Big Poodle and the Little Poodle in the night constellations.
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